New Year – Time to Reassess your Space Friday, Jan 15 2010 

With the new year comes all sorts of resolutions or as I call them, promises you don’t intend to keep. This year, I’m certain will be no different but I’m off to a good start.

One of the things I’ve been working towards is a less-cluttered workspace. Transitioning the bulk of my work to digital files has helped that effort tremendously. My most important tools now consist of a computer, a scanner, and several different photo editing software packages.

Almost two years ago, when I decided to pursue my photography work more seriously, one of the things I was missing was an office, a workspace. After discussing this new venture with my husband, we decided to turn the guest bedroom into my “atalier”. Needless to say, having company is now less convenient as our guests have to sleep on the couches in the living room. However, it made no sense to have a guest room reserved for the once-a-year visitors, when I could foresee using an office every day of the week.

The process has been somewhat slow. Progress is made in fits and starts, taking place between the design gigs, photography shows, work, and the rest of daily life.

We started by empyting the room and, along with several years of accumulated stuff, having a yard sale. Once that was done, we cleaned the carpet and began repainting. I had decided that I did not want a conventional office. I wanted a studio – a space that could function as a photography workspace in addition to an office.  To that end, I selected a Ralph Lauren paint color that unfortunately, doesn’t render terribly well in photos. It’s a deep mossy green. Along one wall, I painted the word “Lamour” in two shades of deep, mottled red, inspired by the gigantic steel sign looming over Christian’s flat in Baz Luhrman’s “Moulin Rouge”.

We used the yard-sale proceeds to buy shelving and work surfaces. I kept an old chest with five drawers, which I repaired (new backing), repainted (espresso), and installed new drawer pulls (brushed silver). The chest is now used to organize framing, packaging, and shipping supplies, as well as some show supplies (signs, business card holders, etc). I repainted the interior of the closet a semi-gloss bright white and installed the shelving (also white). The shelving now provides storage for prints, negatives, photo albums, photography books, my cameras and other supplies, along with items like mat board, frames, etc.

A quick trip to Ikea brought home two desks. One is at standard desk height and is home to the usual desk accoutrement (monitor, keyboard, speakers, scanner, etc) . The other desk is about 7 inches taller and provides a sturdy work surface to use while framing my prints. I really didn’t want to have the desks along the wall so I chose to place them in the center of the room, perpendicular to each other; again, the space needed to not feel like a regular office.

I pulled a set of old drapes out of storage and hung them in the room to provide some softness and a contrasting color (they’re eggplant-colored stamped velvet, which sounds just awful, but they’re actually quite nice).

It became obvious fairly quickly that I needed more space to store framed prints so I built four photo shelves (narrow shelves with a lip, upon which frames are set to lean against the wall). Sadly, two of them had to cover the “Lamour” sign. It’s still there peeking out from behind the shelves and prints.

The latest improvements reflect my growing obsession with minimalism. Every January finds me walking about the house, editing ruthlessly. Too much stuff. My office had become no exception, so last weekend I did a major purge of all the gack I don’t need anymore and now, finally, my “atalier” is complete!

CRUCIFORM – New Photography by KC Wilkerson at www.kcwgallery.com Sunday, Feb 8 2009 

Rose Cross - Black and White Print by KC Wilkerson at www.kcwgallery.com

Rose Cross - Black and White Print by KC Wilkerson at www.kcwgallery.com

I have a new photography exhibit that just opened Saturday, February 7th at Night Gallery in Santa Ana, California. This is my second show with them and, despite the rain, a good number of people turned out! This show features images from a collection I have named Cruciform. Each image contains some form of a cross. I get a lot of questions about my prints at these shows, so I thought it’d be interesting to discuss a few of them in greater detail, starting with one that everyone commented on last night – “Rose Cross”.

This image was created at Cimetiere de Montparnasse in December 2006 on a trip to Paris. We had been in the city several days and had already visited two other cemeteries (St. Vincente and Montmartre).  We spent about five hours in this particular cemetery, starting at about 10am (after a quick stop for Cafe du Creme and a croissant). Even though the sun was out it was freezing cold; the flower urns all contained ice that had frozen overnight.

Hundreds of notable people are buried in Montparnasse; Jean-Paul Sartre, Simone de Beauvoir, Charles Beaudelaire and the photographers Brassai and Man Ray, to name a few. They share the grounds with authors, painters, poets, actors, publishers, and captains of industry. Baudelaire’s grave is particularly beautiful. I took quite a few pictures of it, thinking he would find it ironic given his well-documented distaste for photography as an “art form”.

Now I realize five hours may seem like a long time to spend in a cemetery but Montparnasse is quite large, created from three farms in 1824. It is roughly pentagon shaped and fairly flat (unlike the beautiful to see but tiring to walk Cimetiere de Montmartre). We could have easily gone back a second day (and will, soon!).

Close to the end of our time there, I happened upon a large mausoleum. Set into the stone facade was a large iron, thick iron door. The door had holes drilled into it in the shape of a cross and someone had inserted the stems of these roses into the holes. I found the tableaux to be touching and inspiring. I immediately started to wonder if the door was originally designed to have holes in it. Were they added afterward? Were they intended to hold flowers? Seeing that the roses were made of some sort of paper, I wondered if someone came to check on them and replace them frequently.

Invariably this is what happens every time I’m in a cemetery; I leave with far more questions than answers…

Once we got home and I started going through my negatives, this one really stood out to me. I have always thought it had the potential to be an iconic image and am very pleased to have it included in the show.

To see more of my work, please visit www.kcwgallery.com, www.kcwgallery.etsy.com, and www.cafepress.com/kcwgallery.

ART AND COMMERCE – KC Wilkerson Fine Art Photography at www.kcwgallery.com Saturday, Aug 2 2008 

Tonight, my first art exhibit will close. It’s been up for a month and, for a first show, was successful.

I met quite a few new people at the opening reception. Not being much of a social animal (at least amongst total strangers), I was surprised to realize that I really enjoyed myself. I spoke with quite a few people that had questions about my work (i.e. where certain shots were taken, what my process is, etc). I spoke with a sculptor who’s interested in having me come shoot some of his work. I also spoke with a contact who is interested in re-interpreting some of my work to be put on apparel.

In addition to that, traffic on my Cafe Press retail site is starting to increase. That, in combination with the possibility of putting my work on apparel, has led me to think a lot about the intersection of art and commerce. I’m aware this is probably a well-worn path and that the vast majority of people who have created anything and put it out into the world eventually deal with the idea of ACTUALLY selling it.

My first sales were to people who either knew me or had some sort of connection to me. I am extremely grateful to friends of mine who have decided to show their support and like one of my prints enough to add it to their collection and display it in their home. That gives me such an incredible feeling of pride and gratification.

The sales I am starting to get now are from total strangers. People who buy my work, having no connection to me whatsoever, are clearly responding ONLY to the work and the feelings the work evokes in them. This gives me a somewhat different feeling. There is of course, pride and gratification, but now that’s accompanied by curiosity. Have they been to where I shot to image? Are they moved by a feeling the image evokes? Do they need something that matches the sofa? These are all reasons for people to buy art and I find that I am now just as curious about my buyers as they are about me.

I think about my Cafe Press merchandise and realize that someone is now sitting at their computer, running their mouse over a mousepad I designed with one of my images. Across the country, a woman is serving wine to her friends and their wine glasses are sitting on coasters I designed with one of my images. And in another part of the country, someone is writing in a journal that has one of my images on its cover.

I know that on the surface, the transaction might only consist of “oh, those look cool. I’ll buy them”. But once they’ve bought them and started using them, I believe that a connection has been made. And the result is that people are incorporating bits of my life and my experiences into their lives. That’s a trippy thought.

But it’s also at the core of why I enjoy photography and then selling my work. It’s about making that connection. In the Sondheim show “Sunday in the Park with George”, the painter Georges Seurat gets so lost in his work and his art that he has to keep reminding himself to connect. I feel the same way a lot of the time. I naturally connect to the work. The process of creating the image is ingrained enough that it doesn’t actually require cognitive thought to shoot the image. Connecting to people is different and has always been difficult for me – and I love that my art has enabled me to find a way to connect.

Exhibiting Photography – KC Wilkerson Photography Tuesday, May 13 2008 

Preparing for my first exhibit has been an exhilarating process. It has forced me to get more organized and think about my work differently. Whereas before I had a large collection of images; I now have a collection of image series. The series are grouped by a common element, like subject matter or color. It has also directed my focus to the business side of being artist; thinking about sales, marketing, and profit margins. While many artists hate that part of the business, I find it to be interesting (not fun or exciting, mind you – just interesting). I’ll go into more detail over the next few posts about each of those areas.

I was asked by the curator to select six photographs. Knowing that the Night Gallery features darker themed art, I chose six images that I believe stand on their own, but contribute to the series as a whole. I decided to title the series LAMENT, after one of the images, entitled “L’hiver Deplorent” (Winter Lament, in English). These are strong images; and while I don’t believe thousands of people will want them hanging in their home or office, I felt it was important to make a statement with my first show; to select pieces that inspire me and clarify why I love creating this type of art.

To see the series that will be featured in the exhibit, please visit www.kcwgallery.com, the online home of KC Wilkerson, Fine Art Black and White Photography.

May 2008 – KC Wilkerson Photography Friday, May 2 2008 

Ah, Spring…

And we’re off to a busy start. My “real job” is keeping me quite busy with seven design projects, all slated to open between now and next June. They all look exciting and interesting; I just can’t discuss most of them yet…

I have two shows in production at the moment. “The Brain from Planet X” is an affectionate musical send-up of bad 50′s sci-fi movies. It’s in previews and opens May 3. “Rabbit Hole” is last years Pulitzer winner for drama and is quite good. That one is in tech and opens May 11. Both shows are at The Chance Theater in Anaheim Hills, CA. Check out http://www.chancetheater.com/ for more info. These two shows are running in repertory and it was challenging to come up with a workable design that serves both shows. I’m not entirely certain I succeeded; but I did learn a lot about their space and how they work. Hopefully, I can apply that knowledge to future shows (assuming, of course, they ask me to do more…). Both the cast and crew at The Chance have been fun to work with and I’m sure both shows will be successful!

Coming up later this month at the Gallery Theatre (http://www.thegallerytheatre.com/) is Black Comedy, a whimsical farce set in 60′s London. The scenic designer has come up with a groovy design and it’s going to be a cinch to light. Three light cues in the whole show. Wheee! It opens May 16 so we’ll be hanging, focusing and programming next week.

June will find me working on “In A Yellow Wood”, the world premiere of a new play, also at The Gallery. This one looks like it could be really good. Very moody. Set design is beautiful and it looks like I’ll get to play with a lot of saturated color.

I’m still on track for my photography exhibit at Night Gallery In Santa Ana, CA. Parts and supplies are being ordered. I’ve narrowed down the selection of prints. I’m trying to find good prices on framing but that’s gotten so expensive! Oh, well, it’s still cheaper than gas….

Art, Music – KC Wilkerson Photography Tuesday, Mar 18 2008 

Several years ago, I came across a CD in a Borders bookstore. I was drawn to it because of the black-and-white photography on it’s cover. It was the first CD by Dresden Dolls, a goth/punk/cabaret act out of Boston. A seemingly unlikely and certainly uncomfortable melange of musical styles that, in the hands of Amanda Palmer and Brian Viglione, is simply sublime. I will grant you that, if you’re not into some experiments with your music, it might be tough for you to listen to one of their CD’s all the way through. But, if you like things a bit different, and haven’t heard of them, you should check them out.

One of the things that substantially differentiates them from the rest of the fledgling-band-in-the-00′s crowd is their connection with fans and supporters. It appears that they genuinely enjoy the company and community of their fanbase. They tend to attract us artsy types since they have a very rich visual vocabulary. Their response to their fans, to their art, and to the fan’s obvious love for them as performers is palpable. Such an awesome quality to see in a band so young and talented. And, by all accounts, it would appear that Amanda (lead vocalist, piano) and Brian (drums, guitar) are serious musical types, fairly intellectual, and heaven forbid, have their heads screwed on fairly straight. Fall Out Boy, they’re not…

Search for their CD’s, check out one of their shows, and support local, talented artists who connect with their supporters – the community is what it’s all about.

Bonjour Monday, Mar 17 2008 

Hello, Bonjour, Bienvenue.

I realize I’m probably somewhat behind in the world of blogging; this being my first actual blog and all. I have maintained a blog on myspace for the last 6 months or so but I’d like to reach a wider, different audience for my work – so here goes!

I am a photographer at the start of the process of getting “known”. I have been shooting for a little over 1o years now.

One the eve of a work trip to Europe, I found myself in a pawn shop outside Orlando, FL. I discovered an old, manual SLR (a Fuji ST-X 2). I had owned cameras before; Polaroids, those little buggers that shot 110 film, and various bad point-and-shoots. I had no idea if this camera was any good or what it could do. So I plunked down $50, if I remember correctly, and walked out the door holding my new treasure.

I arrived in Europe and Paris was first on the agenda. I shot a few pics, then onto Bayonne and Toulouse where I shot a few more. I was in each city long enough to develop prints. The camera was obviously functional, based on the prints I was seeing. Our next stop was Calais. I had been on my bike most of the day, shooting in and amongst the WWII dugouts and  battlements in the fields that overlook the English Channel. About an hour before sunset, I happened upon a small cemetery and spent the rest of the remaining daylight capturing graves, headstones, crosses and statuary.

It wasn’t until I got the photos developed that I realized I had stumbled, almost accidentally, onto my passion.

Ever since then, I have been fortunate enough to travel to Europe and across the United States several times over. Each trip, I try to carve out some time to photograph cemeteries, churches, and other interesting architectural places.

You can see my work at www.kcwgallery.com, a new website featuring my work and links to my other sites. Please let me know what you think of the work.

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